Tuesday, October 21, 2008

Clear and Present Danger


Harrison Ford is back as Jack Ryan, the world's oldest boy scout, in Clear and Present Danger, the latest movie adaptation of a Tom Clancy bestseller. As loyal as Clancy's legion of technolo­gy-obsessed fans are, howev­er, the movie may not earn top classification with them — it's thrown out most of the novel's techno-babble and underplayed Clancy's right-wing politics. In some ways, Clear and Present Danger is sur­prisingly dove-like, especially in its presentation of a vicious Colombian drug lord who comes across as a more sym­pathetic character than mem­bers of the U.S. government.

Wall-to-wall hypocrisy is the linchpin to Clear and Present Danger, with Ford play­ing the only honest man within an intelligence system that's so busy selling every­one out that the CIA could open a stall on Wall Street. Ford's high-level investiga­tion into the murder of a friend of the president (Don­ald Moffat) leads him to Bo­gota and promptly sets him up as the fall guy for a clan­destine war being conducted by his own people in the jun­gles of Colombia. Granted, it seems odd that such a sea­soned spy could be caught off guard by the notion that the president is capable of lying. Maybe he didn't work for the Company during the Nixon years.

In some ways, Clear and Present Danger is the best of the Jack Ryan movies. Its plot logistics aren't as confusing as those in Hunt for Red October, and unlike Patriot Games, this film offers some real thrills. Unfortunately, it's way too long and during its last third, the story falls apart at the seams.

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